Not half BAD

Bogotá Art District: A taste of some of the visual delights on offer in San Felipe.

Emily Hastings

There’s been a mini art revolution brewing in San Felipe for some years now. With 16 galleries in what’s become known as the Bogotá Art District, or BAD, the small zone has become a hub of creativity.

It’s not quite the Soho of Bogotá – or Boho as it should probably be called – but the creative community is already a firm fixture on the city’s art landscape. Indeed, San Felipe is one of the three districts to be included in the ARTBO weekend circuits.

What takes me there on a rainy Saturday is ‘Experimenta el Arte’, an event organised by Lure media (the team behind the comprehensive Living in Bogota guide). Lure’s boss, Boris Kruijssen tells me, “After we received several requests, we decided to move into organising experiences – we want to help people to uncover some of the city’s hidden secrets.”

The walking tour began at Galería Beta, which is run by Daniela Camero Rosso. She gives us a potted history of San Felipe, and explains that the man behind the area’s artistic development is architect and patron of many Colombian artists, Alejandro Castaño.

“This collector succeeded in getting various of us to move into the barrio, and then the other galleries started to come in a natural way,” she explained.

We were lucky enough to visit Castaño’s private collection – an Aladdin’s cave with practically every inch of wall (and indeed floor and parts of the ceiling) crammed with the work of artists from all over the continent. Camero told us that Castaño has supported a number of Colombian artists from their early days and continues to do so, a passion that shines through in the sheer volume of art. From videos in cubby holes to a dragonfly that flickers to life; chanting miniature crowds brought alive through a vinyl record to paper guns carved into the pages of a book; at every step and every turn there’s something else to catch your eye.

The two floors of Camero’s Beta gallery reflect the two sections of their collection. “One of modern art,” Camero enthuses. “That branch is focussed on contemporary art, particularly abstract and conceptual art.” We see this downstairs in Diego Mendoza’s woodblock prints showing an upside-down world of trees and machinery.

Upstairs, we are transported to the colours of La Candelaria with the familiar styles of well-known graffiti artists like CRISP and DJ Lu. Awash with colour, the urban art branch of the gallery opened two years ago. Camero says, “Our goal is to promote art more in open spaces, not only in closed ones.” That’s why they have done 15-20 interventions, when art takes over a public space as a sort of pop-up gallery area, within the neighbourhood.

The SGR gallery is a different beast entirely. We are greeted by a mess of melted wax chairs in front of a static screen – mirrored on the other side of the room by rows of pristine chairs lined up in front of a screen showing a chair. A symbol for nations of couch potatoes melting into images of themselves?

The galleries are not the only interesting thing about San Felipe. If you haven’t yet discovered Chichería Demente, an open plan restaurant that opened a few months ago, you are in for a treat. I’d go back time and again for their zucchini fries and palmitos frescos alone.

If the fries can’t tempt you, San Felipe is simply a must for anyone who wants to get a better feel for contemporary Colombian art.

Check it out:

Galleries of San Felipe: FLORA ars + natura, SKETCH, Instituto de vision, Liberia, Casa 4, 12:00, Galería Beta, Permanente, Rincón Projects, Estudio 74, Casa Valhalla, SGR, Espacio KB, Estudio 101, Plural, Fundación Arkhé.

 

If you are thinking about checking out the big BAD art district, Camero recommends the noches de San Felipe (@nochesanfelipe). Every two months, all of the galleries open their doors between 7pm-10pm.

Lure will also organising activities in San Felipe from June onwards. Contact them on info@luremediagroup.co or instagram @lurecityguide to find out more.

Emma Newbery: Emma co-founded The Bogotá Post in 2014 with a mission to provide reliable information about Colombia for an international audience. She is passionate about providing readers with information they can trust on topics that matter. In addition to her work with The Bogotá Post, Emma writes about personal finance and investing for The Ascent. Emma started her career in journalism at UKiNvest 25 years ago, before taking a side road into the world of Olympic bidding.